Selected local happenings from 1980 as chronicled in the “History of Houston Punk” series — part recollection, part oral history –published by PUNX in 1986.
TRANSCRIPT:
“The Punk/Avant Garde connection is highlighted by a show at Rock Island…reportedly the best acoustic production ever held at the Island. The bands include the Ruse, Spermwhale, and Polyphony.”
“In April is the premiere of a new venue, the ‘ultimate hole in the wall’: Club Mod. The Tix host the Throb Prom at this dingy warehouse on Milam St…which has a single light hanging precariously from the ceiling. This party highlights the difference between sixties and eighties psychedelia: black and white nihilist clones in urban cage, but human nonetheless. Other bands to play here later are the Huns, Killerwatts, and Vast Majority.”
“September 19 is a show of the Big Boys with Really Red at the Island. The Big Boys also play the Parade and Spit, and at the Spit, the management apparently does not like Biscuit’s brand of weirdness and pulls the plug.”
“On 10-15 there is a Post feature, ‘Punks, Wavers, and Posers’: interviews with W. Wolff, Christian Arnheiter, David Bean, Margaret Moser, Dick Long, Henry Weissborn, etc.”
“October’s issue of XLR8 features the first of two parts: ‘After the New Wave,’ which is a fascinating and intellectual look at punk and new wave. It explores the protopunk ‘movements’ of Dada, juvenile delinquency, and the street fighters of the sixties. It concludes with a positive encouragement for us to face the political and aesthetic challenge before us with integrity and individuality.”
“On Halloween an art-space at 3221 Milam plays host to Culturcide and Really Red.”
“On December 15, WILD DOG #4 is published and the Derailers make their club debut at the Parade…the club cuts them off early. This is the last punk show at Parade.”
(Original zine images courtesy of Wild Dog Archives.)
Wild Dog Archives 
I have more of the XLR8 mags if you are missing any…..Weber
Hello from WDA, Bob. We will be reaching out and appreciate your generosity!
I believe that Culturcide played the opening night at Club Mod. There was water dripping from the (rather low) ceiling dangerously close to the stage. At the time, Perry would set up all of his tape machines and record players down front. He was worried…. As for the single lightbulb, the concept was awesome, but the execution was a bit too ‘massage parlor meets interrogation room’ for my tastes. Great edition of the archive!!
What a story and perspective about the club, Dan! Many thanks for your contribution–and for archiving it here! -WDA