Formed in 1979, The Big Boys led the vanguard of Austin’s emerging hardcore punk scene alongside fellow agent provocateurs The Stains (later named MDC) and The Dicks.
Ben DeSoto, an award-winning local photographer, activist, and chronicler of early punk imagery in Houston, captured these two photos of Henry “Wild Dog” Weissborn in the crowd at a Big Boys show held at the Island, Houston’s Main St. punk venue, in 1980.
This is Henry Wild Dog in his element, heavily politicized from the beginning.
(A Wild Dog stare from the middle of a Big Boys crowd at the Island, 1980. Photo by DeSoto; Source: The Island – Punk Rock Houston)
George Henry Weissborn, Jr., who is completely unknown to many outside of Houston, was born in New Orleans in 1955. His family moved to Houston shortly after and he was raised in southwest Houston. At the age of 14, Henry’s adolescence was informed by the thriving countercultural scene happening in Houston in the late 1960s. In an article dated November 14, 1978, published in the University of Houston’s Daily Cougar, Henry cited his reading of SPACE CITY! in 1969 as the catalyst for his involvement in the Yippie! movement. While most of the evidence shows that the Youth International Party (YIP) had waned drastically from its late 1960s roots, Henry Weissborn proudly carried the flag in Houston as a student activist.
An avid collector, writer, and archivist, Henry amassed one of the largest personal collections of grassroots literature in the city. He joined the Socialist Revolutionary Anarchist Federation and the YIP, and he led a three-member Direct Action Committee on the UH campus through the mid- to late-70s. He collected pamphlets, literature, and handwritten letters from a number of similar groups throughout the country. In all, Weissborn documented the latter phase of the counterculture as it moved from the hopeful days of the late 1960s through to the Watergate era of distrust and the crushing blow of Reagan-inspired conservatism throughout much of the early 1980s. Among his archives are the street view of Houston’s underground with runs of SPACE CITY!, ABRAXAS, and MOCKINGBIRD–three renditions of alternative press in Houston that focused primarily on continued psychedelic awakening, civil rights activism, and an end to police brutality.
Henry Wild Dog also channeled that anger through his pen. In 1976, he was a junior studying Sociology at the University of Houston. At 21, he was connected internationally to a wide network of anarchists, socialists, and activists. His archives show that he avidly wrote letters, sent self-addressed stamped envelopes, and requested copies of virtually every newsletter, quarterly, and mail order catalog he could get his hands on that would provide him a means to expand his garage rock and punk collection of albums and ephemera and introduce him to new noise in the most obscure regions, not just the East and West Coasts. Weissborn was experienced on both an academic and esoteric level.
By most accounts, Weissborn was a card carrying member of any social justice cause he joined. His activist publication, ULTRA, evolved into WILD DOG zine after he helped organize a Yippie outdoor concert turned punk rock debut at the Paradise Island. Communication and political action remained common drivers throughout Henry Wild Dog’s life.
He passed away unexpectedly in 2008.
(Henry Wild Dog (in white shirt), 1980. Photo by DeSoto. Source: The Island – Punk Rock Houston)