Original Punk Zines

‘PROTO-PUNX’ INFLUENCES & THE PSYCHEDELIC-PUNK CONTINUUM (1986)

Punx No. 2 (1986)

Henry “Wild Dog” Weissborn published the final issue (Vol. III, No. 1) of Houston’s first punk fanzine, WILD DOG, in August 1981. Published by Khosrow Amirazodi, PUNX magazine emerged from its parent ‘zine STUDIO X as one of several Houston underground publications filling the void as the underground music scene evolved from garage and experimental noise to hardcore.

Although this article in PUNX No. 2 appears less polished than previous writings, Weissborn contributed this editorial, “Proto-Punx…And Other Bizarre Facts About Animals,” as part of a series of important historical musings chronicling Houston’s early music and alternative press movements.

“Mus[i]cologists concede that Texas was an extremely fertile spawning ground for punk rock in the 60’s,” Weissborn wrote in 1986. “In particular, the 13th Floor Elevators loom large in the punk rock hall of fame.” A seminal punk and Texas underground influence, Roky Erickson and Elevators Tommy Hall and Stacy Sutherland set off the wave of acid rock that eventually peaked in the middle 1960s in San Francisco, “where the wave finally broke and rolled back,” leaving its high-water mark of a generation.

In addition to their contemporaries the 13th Floor Elevators, Houston’s own psychedelic rockers, the Red Crayola (later Red Krayola), also made a comeback in the New Wave, according to Weissborn. Red Krayola was formed in 1966 by a band of art students led by musician and visual artist Mayo Thompson from the University of St. Thomas.

In his “Proto-Punx” essay connecting the psychedelic and punk scenes, Houston’s Wild Dog had this insight to offer about urging on the underground momentum:

“Punk rock has always been ephemeral. This is its beauty. Here today, gone tomorrow. Anyone can do it. Bands come and go, but their legacy lives on forever on record. The challenge beckons.”

(Original zine courtesy of Wild Dog Archives.)

Hymnal No. 1 and 2 (1981)

HYMNAL, a punk and hardcore fanzine originally headquartered in Houston, debuted in December 1981. The first three issues were based on the Houston scene, after which the publication relocated to Austin. Its fourth and final issue was published in 1982, with featured coverage of Houston and Austin bands.

The full run, Nos. 1-4, can be accessed in the private archives of Henry “Wild Dog” Weissborn.

(Images courtesy of Wild Dog Archives.)

An Ode to Houston’s Original Wild Dog (2012)

Henry “Wild Dog” Weissborn (1955 – 2008) was a poet, writer, activist, publisher, punk, and musician based in Houston, Texas. After his untimely death in 2008, at the age of 53, his house sat idle. For most of his life, Henry was a collector.

In 2012, his house was purchased by a developer, gutted, and then remodeled. In the process, more than 30 years of archived periodicals, personal writings, vintage magazines, posters, flyers, vinyl, cassettes, 8-tracks, punk zines, and an array of additional ephemera were systematically being thrown out.

A chance encounter put us in contact with the new owner, and in a matter of 72 hours we found ourselves in possession of a legacy, not only to one man’s entire life but to Houston’s first wave punk scene and its musico-political roots.